To some, the spiritual tapestry of my life journey can be confusing. One of my spiritual teachers has lovingly hassled me for years, wondering why I don’t just ‘commit’ to the path in which he teaches and practices. Clearly, I’ve found the path that he is on meaningful enough that I return to him, time and again, for counsel, feedback, and support. Why not commit and go deeper – much deeper – into that one path, and just that path? This question has typically been followed by a mini-homily enthusiastically bringing alive what spiritual commitment has looked and felt like to him, and how he doggedly pursued every opportunity to go deeper down his one specific path. This line of conversation has, for years, evoked shame in me, because I wasn’t really sure why I couldn’t ‘commit’ to this one particular path in the way that he wanted me to. Surely, there must be some hesitation, uncertainty, or fear of commitment deep inside me that was keeping me from doing what someone who I profoundly trusted was repeatedly urging me to do. The self-judgment that would arise in response to these conversations would always be far worse than the episodic nagging I had to endure. It did not occur to me until years later that the answer might simply be that such a path, of singular depth, is not mine.
A crucial turning point for me was encountering a spiritual talk given by Elizabeth Gilbert (author of Eat Pray Love), entitled “Flight of the Hummingbird: The Curiosity Driven Life,” originally delivered as part of Oprah Winfrey’s Super Soul Sessions. In this talk, Gilbert describes her passion for writing, and how, at an earlier stage in her life, she had encouraged an audience of listeners to find their individual passion and then run deep with it, just as she had. Gilbert subsequently received a letter from one of the attendees, who shared with her how demoralizing her words had been. This attendee said that if she had a specific passion to run with that she’d already be doing just that, but such wasn’t her experience of life. Her experience of life was something – dare I say – more ‘eclectic.’ She had many different interests that had at various points in time captured her attention. This letter pushed Gilbert to reflect on how some people might experience and learn about life in ways that are quite different from her own. What she came to realize, she says, is that some human beings are like ‘jackhammers’ who discover what their passion is and then pound away enthusiastically, driving deeper and deeper into that one thing. This was her experience with writing. There are other people, she realized, who experience life and learn in a very different way, and she dubbed these folks ‘hummingbirds.’ Unlike jackhammers, hummingbirds are not driven by a singular passion but instead by curiosity. Hummingbirds fly fast and energetically, visiting many places in search of that which will nourish and sustain. In living this way, hummingbirds are, Gilbert says, ‘cross-fertilizers,’ helping bring disparate ideas, experiences, and people together in new and deeper ways. Both the jackhammer and the hummingbird bring value and meaning to the human experience.
Yet, when it comes to our spiritual lives, there is an obvious danger with this particular path – the path of the hummingbird. One can flit and fly about so rapidly that the possibility of spiritual depth and authenticity can be lost. Even as I identify with Gilbert’s hummingbird metaphor, I have had to stifle and manage, over decades, my internal reactions towards the way in which others, at times, superficially encounter Hinduism, Buddhism, and other religious traditions. What does it mean when someone is wearing a t-shirt with the image of a Hindu god on it – something that, out of respect, some observant Hindus might not do? What does it mean when I’m attending a church service and a Tibetan Buddhist singing bowl, a sacred object used for the purposes of individual and communal meditation, is used as a gong to silence attendees on a Sunday morning? What does it mean when someone purchases and puts up a Native American dream catcher, as a novelty or work of art, without any ongoing spiritual relationship to the Native American traditions? Even as I, myself, am some version of ‘eclectic,’ situations like these have haunted me, pushing me to reflect deeply on questions of privilege: who has the privilege to ‘dabble’ in the spiritual traditions of others and from where does that privilege arise? The reality is that any of us might, at times, engage superficially with the religious symbols, traditions, and stories of others. If a hummingbird flits from one experience to the next, how do I, and/or others like me, know whether we are relating to a spiritual tradition from a space of authenticity or superficiality?